American in Spain

Today I finally got around to attempting a bit of Photoshop trickery I’ve been wanting to try, creating a photo of me dancing with my two-year-old daughter where our sizes are adjusted, either me down to her height, or her up to mine. It turns out that this is very, very hard to do well. The principal difficulty is aligning the hands, in space and with the proper angles, so that they appear to touch. Of the five or so photos I took to work with, I chose the best two to merge together. The result is a photo where the viewer is never really fooled into thinking that the two people are actually interacting physically.
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Today I discovered a macro feature of my video camera lens that I had forgotten existed. The first thing I did was pick up a one dollar bill that I have on my desk for some reason and examine POTUS1′s face. Impressed, I decided I needed to record a video of something very close up. Not having an ant farm or a pet praying mantis, I decided the best subject for my first macro video should be my gorgeous greenish-yellow eyes. It took a couple attempts to figure out how to best, without too much effort, keep the camera and my head from moving around too much. I ended up sitting on the floor with the camera resting on my desk. Clearly, this level of intimacy required some creepy background music, so I found some.
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Just over a year ago, in May of 2010, we bought Roomba. We had two recommendations from friends, so we splurged the 300€ and bought a robot to vacuum our floors. Initially it seemed pricy, but it’s some of the best 300€ we’ve ever spent. As my wife said to me soon after we bought it…

I think I like the Roomba. It doesn’t clean as well as I do, but it cleans about as well as you do.

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Every kid has done it and loved it. What could be better than walking on top of a wall, holding your parent’s hand, up at grownup eye level, carefully placing each step, enjoying the illusion of danger. Last Sunday, we took a stroll up to Colindres de Arriba, the picturesque village within a town just up a hill past the town hall. We spent about thirty minutes picking blackberries and then continued on to the medieval church. If I had been planning on it before we left, I’d have taken a better camera, but it occurred to me while we were up there that I could take a series of photographs and photoshop them together into a motion composite. I’m fairly pleased with the result.
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In general, I am very much against knickknacks, a.k.a. crap you have to clean the dust off every once in a while. So perhaps you can imagine my dismay when my daughter and mother-in-law bring home one of those horribly gaudy asian waving cat things. Apparently it had caught my daughter’s toddler eye (and why wouldn’t it?) in the local chinos shop, and her grandmother had bought it for her. “Mimi mimi mimi”, they said to each other mimicking the not-entirely-unlike-the-Nazi-salute gesture. I facepalmed and sighed.
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Recently, when I was with my family at a swimming pool, I had the opportunity to use the fast shutter rate of my DSLR camera to take some quick photographs of them. I took the photographs specifically with the intention of practicing a Photoshop technique called motion composition or motion multiplication. The idea is that you make a composite photograph of a subject that is in motion by combining various copies of the subject in different positions.
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Strawberry season is about to draw to a close in Spain. Although I’ve consumed several kilos this year, I’m sad to see them go. The thing that most annoys me about strawberries is how long they last after I buy them. In my experience, if I don’t eat them within 48 hours, they all turn to mush and they get all fluffy with mold. This is especially a problem since I normally can’t stop myself from buying a whole 2 kilogram box of them. So I decided to turn my frustration around and use the rapid growth of mold on my strawberries as the subject of a timelapse video.
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Just this year, as far as I’m aware, a new sort of digital photography art form has emerged, called cinemagraphy. It’s so new that there’s still no Wikipedia page for it! The general idea is that you create a photograph with some bit of it that is not exactly still. It’s published in the infamous “animated gif” format that plagued “world wide web” pages back in the 1990′s. The trick is to get the file size down below a megabyte so that it can be downloaded more or less as instantaneously as a regular jpeg photograph. As I have discovered, this is not easy.
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For her second birthday, Nora received, from my Godfather and Godstepmother, an assortment of plastic animals. To me, these are way more interesting than dolls. The detail is absolutely exquisite. I applaud whoever designed the molds in China and the factory workers that painted them. I thought they would make an interesting subject for some practice at inanimate studio photography. I used my “tinkerbell lighting” technique of a long exposure and a moving LED point source of light.
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As much as I’ve been trying to avoid it, I’ve been unable to avoid seeing pictures of these two British faces around the news. There was something about this one photograph that struck me as being perfect for a Photoshop trick I’ve been wanting to try, called face switching. Sure, enough, their faces were angled just right such that it was really quite a trivial operation for someone with a rudimentary understanding of layer masks. If the royal wedding coverage gets too annoying, just imagine it’s this lovely couple instead.
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